Afro–Cuban Drums – Mark Walker

This course explores popular Afro-Cuban styles, such as the guaracha, mambo, songo, cha cha, and 6/8 (bembe), and how to orchestrate them on the drum set. You’ll learn the traditional percussion patterns and rhythmic roots of the styles, as well as modern adaptations. You will learn to play with an authentic sound and feel, and connect different time feels smoothly, mastering the basics of coordination, soloing, dynamics, tone production, control, and vocabulary.

The course provides a solid method of coordination practice, which can be applied to any situation or style, in addition to ways to effectively accompany other musicians and improvise in order to strengthen your own unique musical identity. You will also become more familiar with the musical styles of Cuba and the compositions of some of the most representative Afro-Cuban composers.

Afro-Cuban Drums features video demonstrations and listening examples from classic recordings of Latin music, among others. You will work on practice exercises based on essential patterns, breaks, and solos for percussion and drum set and then apply what you have learned with end-of-lesson assignments performed with play-along tracks. The target audience for the course is drummers who want to be able to apply Afro-Cuban rhythms to the drum set whether in a traditional Latin, jazz, pop, or other musical setting, or who would like to improve their tone production, time feel, knowledge of rhythms and poly-rhythms, coordination, and soloing. Armed with the knowledge of this course, you will be able to apply Afro-Cuban rhythms to your playing situations – from traditional to modern – with authenticity and confidence.

By the end of the course, you will be able to:

• Recognize different Afro-Cuban styles, such as guaracha, mambo, cha cha chá, songo, and bembé (6/8)
• Know, recognize, and feel the clave (key) direction
• Play son clave, rumba clave, and 6/8 clave on the drum set with different orchestrations
• Adapt various Latin percussion patterns to the drum set
• Play the cascara (shell) pattern on different parts of the set
• Play the bongo and mambo cowbell patterns
• Coordinate the dominant right-hand patterns with clave
• Play and coordinate the tumbao (conga part) on the drum set
• Coordinate the bass drum tumbao and various foot patterns for hi hat
• Make smooth transitions between different sections in the music
• Improvise solo phrases “in clave”
• Perform cierres (breaks) with and without percussion
• Apply Afro-Cuban rhythms in different contexts

Syllabus

Lesson 1 The Clave in Afro-Cuban Music

Lesson 2 The Cascara

Lesson 3 The Tumbao and Foot Patterns

Lesson 4 Campana: The Bongo Bell Pattern

Lesson 5 Contra-Campana: The Mambo Bell Pattern

Lesson 6 Common Breaks and Figures in Mambo, Salsa, and Latin Jazz

Lesson 7 6/8 Styles: Bembe

Lesson 8 Cha-Cha-Chá

Lesson 9 Improvisation in Afro-Cuban Music

Lesson 10 Songo

Lesson 11 Coordination Studies

Lesson 12 Putting It All Together

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