Jeff Baust – Mixing and Mastering with Pro Tools
Gain a greater understanding of two key elements of production by learning the Berklee approach to mixing and mastering using Pro Tools. Essential knowledge for engineers, producers, or hobbyists who have their own home studio up and running, this course presents concepts that go beyond basic EQ and panning. Students will be exposed to more advanced mixing and mastering techniques including parallel compression, understanding reverb parameters as well as discussing compression techniques in mastering. You’ll view demonstrations of engineers engaged in the processes, and by mixing and mastering Pro Tools sessions that are provided in the course, you will be able to hear, compare, and discuss the different mixes of your classmates.
By the end of this course you will have acquired a thorough understanding of the entire mixing and mastering process, information that you can apply to any mixing and mastering situation.
Berklee Online and iZotope have come together to offer an educational discount on the required software for the course: Ozone. Once you enroll in the course, you will be able to purchase this required software at a discounted price through the Required Course Materials link on your My Home page. Early enrollment is encouraged to ensure delivery prior to the start of the course.
By the end of the course. you will be able to:
- Understand and know the process of mixing in Pro Tools
- Use EQ and Dynamics in a Pro Tools session
- Use Reverb and Acoustic Space in a Pro Tools session
- Use delay, chorus and flanging in a Pro Tools session
- Understand and know the process of automation and dynamic mixing with Pro Tools
- Understand and know the process of mastering with Pro Tools
- Use the iZotope’s Ozone plug-in to master stereo mixes with Pro Tools
Syllabus
Lesson 1 Introduction to Mixing
Lesson 2 Introduction to Mixing in Pro Tools
Lesson 3 Shaping the Sounds: EQ and Dynamics
Lesson 4 More With Dynamics Processors: Pro Tools Busses and Routing
Lesson 5 More With Dynamics Processors; Pro Tools Busses and Routing
Lesson 6 Reverb and Acoustic Space
Lesson 7 Delay, Chorus, and Flanging
Lesson 8 Automation and Dynamic Mixing 1
Lesson 9 Automation, Part 2; Final Delivery of a Mix
Lesson 10 Introduction To Mastering; EQ In Mastering
Lesson 11 Mastering Part II: Limiting and Compression
Lesson 12 The Final Touches
Requirements
Prerequisites and Course-Specific Requirements
Completion of Pro Tools 110, or equivalent knowledge and/or experience.
Required Textbook(s)
- None required
Software Requirements
- Pro Tools 11 or higher (earlier versions, Pro Tools First, and Pro Tools Demo are not supported in this course)
- iZotope’s Ozone 7 or higher (Standard or Advanced version, not Elements)
Hardware Requirements
- Audio interface
- Speakers or headphones suitable for mixing
Instructors
Author
Jeff is a professor in Berklee’s Synthesis and the Music Production and Engineering Departments. A composer, audio engineer, educator and multi-instrumentalist, he has created scores for the ESPN, New England Sports Network (including music for the Bruins and Red Sox), Avid, Sony, Polaroid, Sharp, Reebok, Lotus, and others. He works primarily in his own facility, Coral Sea Music. As an audio engineer, Jeff has worked on projects for such artists as the Boston Symphony Orchestra, San Francisco Symphony Orchestra, NBC-TV, Andre Previn, Itzhak Perlman, Jessye Norman, and Dawn Upshaw, as well as labels such as EMI, Philips, Nonesuch, and many others. Specializing in digital audio production, Jeff works with technologies such as Sonic Solutions, high-resolution audio (96k/24bit), HDCD encoding, and mastering as well as forensic audio and restoration tools. Jeff holds a M. A. in Composition from University of California, Davis, and a D. M. A. at Boston University, where his primary area of concentration was electronic and electro-acoustic composition. He has been published in Berklee Today, Electronic Musician magazine, and various Internet e-zines.
Instructor
David Lefkowitz has been teaching in higher education since 2000. He has taught courses such as physics, acoustics, electronics, sound design for visual media, music theory, audio technology, digital audio, advanced recording, and advanced mixing. David served as the assistant department chair for the Audio Production department at the New England Institute of Art. He also moderated/coordinated for the Boston area Pro Tools User Group (PTUG) and has presented at the Parson’s Expo and at other events. He is a Pro Tools certified expert instructor.
Under his independent business name, Lefko Productions, David worked on records with international and regional artists including Johnny A, Stuart Kimball, the Beloved Few, Entrain, Kol B’Seder, Dany Silva, Bana, and the Mendes Brothers. Bana and the Mendes Brothers were featured in the Putumayo World Disk Series. Dave was a principal business partner of Renaissance Recording Company, a commercial recording facility in Boston’s Back Bay where he worked as the chief recording engineer.
David’s passions are composition and songwriting and he is currently producing his fifth full-length album. David is additionally skilled as a playwright, a show producer, a show director, and as a musical artist. Unyfi, David’s audience-centered comical rock arts show featured his compositions. Unyfi performed at the Regent Theatre and at A.R.T. Oberon in 2015. Recently, David has been venturing into sound design and so far has worked on various films including Archie’s Betty, Celling Your Soul, and Whaling City. David also produced and directed a film dedicated to the legendary Boston rock club “The Rat,” featuring a variety of Boston rock artists including the Dropkick Murphys. He is a member of the Audio Engineering Society (AES) and Broadcast Music Inc. Read Less
Instructor
Mark Wessel is an Assistant Professor in the Music Production and Engineering department at Berklee College Of Music, where he has taught audio engineering and production techniques since 1996. After receiving a B.S. in Mass Communication from Emerson College, Mark worked as a staff engineer at Blue Jay Recording Studio for many years and is now an independent recording and mix engineer. With over twenty years of experience in records, films, and television scores, his credits include numerous label projects including Sony, Narada, MCA, Rounder, RCA Victor, Gramavision, Sire, BMG, American Gramaphone, CBS, and Flying Fish, as well as projects for Miramax Films, WGBH, National Public Radio, Paramount Pictures, and various independent records and films.
What’s Next?
When taken for credit, Mixing and Mastering with Pro Tools can be applied towards these associated programs:
Associated Certificate Programs
- General Music Studies Professional Certificate
- General Music Studies Advanced Professional Certificate
- Music Production using Pro Tools Advanced Professional Certificate
- Pro Tools Professional Certificate
Associated Degree Majors
- Bachelor’s Degree in Music Production
- Bachelor’s Degree in Interdisciplinary Music Studies (Create Your Own Major)
- Bachelor’s Degree in Music Composition for Film, TV, and Games
- Bachelor’s Degree in Songwriting and Producing Music
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