Music Foundations – Joseph Mulholland, Yumiko Matsuoka, Gaye Tolan Hatfield

In his capacity as chair of the Harmony department (2005-2015) at Berklee, Joe extensively revised the Harmony 2 and 3 workbooks and wrote the Music Application and Theory workbook for first-year students, as well as editing and contributing substantially to the Study Supplement for that course. With his colleague Tom Hojnacki, Joe wrote The Berklee Book of Jazz Harmony (Berklee Press), the new Harmony 2 workbook, and the Harmony 2 Study Supplement.

An accomplished pianist, recording artist, composer, and teacher, Joe has released five albums of original music and has composed electronic scores for Boston-area dance companies, including a Tango Suite commissioned by the Northeast Youth Ballet that received performances in Boston and New Jersey. Joe also performs as a vocal accompanist. In his role as music director for the Windhover Center for the Performing Arts, he composed and recorded sound design and songs for original productions of Peer Gynt and Dogtown Common. He also wrote 11 songs and three dance numbers for the original musical The Battle for Pigeon Cove Harbor, which received a three-week run in theaters on the North Shore of Boston.

Before coming to Berklee, Joe taught piano and ensemble at Brown University and Boston-area music schools, as well as serving as music director for Didi Stewart and Friends, an award-winning ensemble devoted to presenting full-length tributes to composers and performers in the American Songbook and classic R&B styles.

Her arrangements and compositions can also be heard on her anthology To Every Thing There Is A Season, Vox One’s Say You Love Me, and on recordings by other a cappella groups around the globe. Recent works include arrangements of the Beatles songs for Houston Chamber Choir, a composition celebrating Shakespeare’s 400th anniversary for Stile Antico and Folger Consort, as well as chapters on a cappella arranging for A Cappella Perfect Book Advanced, published in Japan. Yumiko has also written for Japanese TV commercials including Toyota, Sharp, Meiji Seika, and Japan Energy Corporation. Some of her arrangements have been published by the University of Northern Colorado Jazz Press and by Edition Kawai in Japan. She is active as a coach and adjudicator, and gives workshops throughout the U.S., Japan, and Korea. Since 1998, she has served as an adjunct faculty member for ensemble singing workshops hosted by a New York-based ensemble, the Western Wind.

Hatfield’s compositions can be heard on a variety of television shows, including Navy NCIS, History Detective, The Young and the Restless, Revenge, NUMBER3, C.S.I. NY, Good Wife, and United States of Tara, in addition to the films Dear John and What To Expect When You’re Expecting. She has also been a member of the Providence Singers, and penned an arrangement of “Someone to Watch Over Me” for their 2007-2008 Gershwin tribute concert.

Gaye earned 2015 and 2016 Daytime Emmy award nominations for her work as a member of the composing team for The Young and the Restless.

Danny teaches courses on artistry and professional development at Berklee’s Boston campus. He is the faculty ambassador to the Berklee Valencia campus. In the 1980s, Danny was the bassist for the James Montgomery Blues Band and the Jon Pousette-Dart Band.

“I absolutely love teaching,” he says. “It’s intriguing to work with the language of music and the art of playing and developing songs for live performance. I’m proud to have taught so many students who are having successful music careers and families. That’s the most satisfying aspect of my job.”

McArthur-Browne has won many awards, including The Princes Trust Award, STUC James Milne Award, Scottish International Education Award, The Cross Trust Award, Mary Patton Rowan Award, and the Cosmopolitan Magazine and American Express Performing Arts Award. She has made several television appearances, including U.K. Channel 4 Television, “Down the Line,” CNN’s Berklee Special, WBZ4 News, and CN8 “Nitebeat.” In 1999 and 2000, she was commissioned by the Scottish Arts Council and composed pieces for the Scottish National Jazz Orchestra.