Susan Rogers – Psychoacoustics in Music Production
Psychoacoustics in Music Production examines human auditory processing from the eardrum to the auditory cortex. You will learn how speech and music signals are transformed from physical activity in the environment, to sensations in the cochlea, to psychological perceptions in the brain. You will also explore the relationship between a sound and its perception in terms of the underlying mechanisms and limitations of our hearing system. In addition to analyzing the auditory system, you will learn about spatial localization, critical bands and masking, temporal resolution, pitch, timbre, and loudness perception, speech and music perception, and noise-induced hearing loss. Throughout the course, you will learn practical applications for how this information serves the audio arts, especially engineering and mixing.
By the end of the course, you will be able to:
- Explain the hearing and auditory nervous system, in addition to the physics of sound
- Illustrate how the brain processes pitch, loudness, timbre, and timing
- Explain the process by which the human auditory system organizes sound into meaningful elements
- Understand the impact of noise-induced hearing loss
- Synthesize learnings about the human auditory system to understand why people hear what they hear
- Evaluate research in psychoacoustics
- Apply learning about the human auditory system to enhance production and engineering projects
Syllabus
Lesson 1 Hearing and the Auditory Nervous System
Lesson 2 Physics of Sound and Signal Detection Theory
Lesson 3 Critical Bands, Tuning Curves, and Dissonance
Lesson 4 Binaural Listening and Spatial Localization
Lesson 5 Pitch Perception
Lesson 6 Loudness Perception
Lesson 7 Timbre Perception
Lesson 8 Temporal Processing
Lesson 9 Auditory Scene Analysis
Lesson 10 Noise-Induced Hearing Loss
Lesson 11 Speech and Music Perception
Lesson 12 Psychoacoustics in the Studio
Requirements
Proof of a Bachelor’s Degree
Prerequisites and Course-Specific Requirements
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